
Fight Direction Resume
Steppenwolf Theatre
Defiant Theatre
Lifeline Theatre
The Artistic Home
Shakespeare Theatre Co. (D.C.)
Goodman Theatre
Griffin Theatre
Chicago Shakespeare Theatre
Rivendell Theatre Ensemble
Rivendell Theatre Ensemble
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
Michigan Shakespeare Festival
A Crew of Patches
A Crew of Patches
A Crew of Patches
A Crew of Patches
A Crew of Patches
A Crew of Patches ​
A Crew of Patches
First Folio Shakespeare
First Folio Shakespeare
First Folio Shakespeare
InFusion Theatre
InFusion Theatre
City Lit Theatre
City Lit Theatre
Shadow Theatre Co.
Monroe Players
The Performance Network
The Shadow Theatre Company
The Shadow Theatre Company
Artemesia Theatre Company
Matrix Theatre Company
The Brother/Sister Plays
A Clockwork Orange
Her Majesty’s Will (Jeff nominated)
Macbeth (Jeff nominated)
King Lear
King Lear
Stardust
The Merchant of Venice
Dry Land
Grizzly Mama
The Killer Angels
The Tempest
Measure For Measure
The Rover
Richard II
Julius Caesar (2017)
As You Like It (2016)
Henry IV
A Midsummer Night’s Dream
The Rivals
Cymbeline
Hamlet (2014)
Twelfth Night (2013)
King John
She Stoops To Conquer
Richard III (2012)
Love’s Labour’s Lost
Romeo & Juliet (2010)
Tartuffe
The Taming of the Shrew (2017)
The Comedy of Errors
Macbeth (2001)
Richard III (2000)
A Midsummer Night's Dream
Twelfth Night (1999)
Hamlet (1999)
Macbeth (tour)
Romeo & Juliet (tour)
Othello
The Taming of the Shrew
Romeo & Juliet
Macbeth
Julius Caesar
Twelfth Night
The Compleat Wrks of Wllm Shkspr
Macbeth (tour)
Romeo & Juliet (tour)
Warring & Wooing
Another Kind of Love
Fight Girl, Battle World
An Ecstasy of Dragonflies
Tartuffe
The Compleat Wrks of Wllm Shkspr
A Midsummer Night’s Dream
Avenue X
Romeo & Juliet
Closetland
Something Blue
Southwest Story
Reviews
Michigan Shakespeare Festival’s RICHARD III – 2000
The Ann Arbor News: “Blixt has choreographed a play's-end clash of swords, lances and battle axes so breathtaking it drew audience applause. Ultimately it's Richard vs. Richmond ax-to-sword, and for a moment it appears the hump-backed tyrant will lay waste his rival - a feasible outcome, since physical courage is Richard's sole virtue.”
Defiant Theatre’s A CLOCKWORK ORANGE - 2005
The Chicago Tribune: “David Blixt's fight choreography is "razrez" (ripping), as are both the actors who take it and those who dish it out.”
Michigan Shakespeare Festival’s ROMEO & JULIET – 2010
Encore Michigan: “Scott Stangland's somewhat devious Mercutio, too, adds greatly to the production, and marks the high point of David Blixt's violence design that includes some excellently choreographed swordsmanship.”
Michigan Shakespeare Festival’s RICHARD III – 2012
The Daily Tribune: “The pivotal moment of the show is thanks to David Blixt, who choreographed the final battle at Bosworth Field. It was poetry in motion as swords, armor and the king and his men fought the Earl of Richmond. It is an oxymoron of elegant violence that left the play exactly where Shakespeare intended, an epic battle in which good conquers evil.”
InFusion Theatre’s FIGHT GIRL, BATTLE WORLD – 2013
Chicago Theatre Beat: “The fighting is as impressive as the special effects. Fight Director David Blixt balances the physicality with humor. His well-choreographed fights have Sheila O’Conner (E-V) kicking ass on the ground and in the air. Her ferocity often takes flight as her stunts get a helping hand from the Ninja stage crew.”
Hope Summer Rep’s ROMEO & JULIET – 2013
Encore Michigan: “Drugs, dispensed from a manhole cover in the street, also fuel the young punks' frequent street fighting, which is very well choreographed and believable. Even the fatal fight between Mercutio and Tybalt is presented as a somewhat friendly, foolish contest, so the audience feels the loss when Mercutio is killed.”
Michigan Shakespeare Festival’s HAMLET – 2014
Michigan Examiner: “The sword fight between Laertes (Sam Hubbard) and Hamlet at the end of the play – devised by Fight Director David Blixt – is perhaps the best staged duel we have ever seen. By best, we mean violent, authentic and so frightening that we closed our eyes more than once – certain that someone was going to lose a valuable appendage.”
Michigan Shakespeare Festival’s HENRY IV – 2015
Encore Michigan: “For those who attend Shakespeare because they like the sword fighting, Henry IV won’t disappoint. This is a war play and the first act ends with a great battle that brings out the whole company for intensive sword fights that range from single duels to large-scale group battles. Fight Director David Blixt (who also plays Owain Glyndwr, Douglas, and the Archbishop of York) choreographs an exciting battle that encompasses several fighting styles from great-sword to axe to sword and shield.”
Michigan Shakespeare Festival’s THE RIVALS – 2015
Encore Michigan: “Blixt grounds O’Trigger with a gravitas that is in perfect contrast to Malisic’s outlandishness. Blixt also doubles as the fight director and O’Trigger’s sword fight with Jack is skilled and filled with finesse.”
Rivendell Theater’s GRIZZLY MAMA – 2016
Windy City Times: “Megan Carney directs a trio of actors navigating Brant's shivery boundaries between slapstick farce (high marks to violence designer David Blixt) and stranded-in-the-woods horror with never a misstep.”
Michigan Shakespeare Festival's JULIUS CAESAR 2017
Shakespeareances: "The most powerfully moving Caesar assassination I've ever seen. After the first round of stabs, Caesar manages to wield his own knife and fend off everybody until he turns and sees Brutus with knife poised to strike. "Et tu Brute?" Caesar says. "Then fall Caesar." He drops his knife and, with some physical effort, stands fully erect, coming to a statue-like pose of authority as he awaits Brutus's thrust."
​
David has taught combat workshops at high schools, colleges, and universities, including: The University of Illinois, Beloit College, The College of Wooster, Graceland University, the University of Michigan's Residential College, Eastern Michigan University, Washtenaw and Jackson Community Colleges.
Jeff Nominated Fight Director
Resident Stage Combat Instructor - Chicago High School for the Arts
Resident Fight Director - Michigan Shakespeare Festival
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